ABOUT THE COURSE
In this edition, the course will work on symphonism through Pyotr Ilyich Tchaikovsky’s Symphony No. 6 in B minor, Op. 74 “Pathétique”. This work, considered one of the Russian composer’s most personal and moving, represents a milestone in the symphonic repertoire for its emotional depth, unusual structure, and innovative expressive approach. Throughout the course, both the formal and orchestral aspects of the symphony will be explored, as well as the historical and stylistic interpretations that allow an understanding of its artistic and communicative richness.
The program is completed with a selection of Johannes Brahms’ Hungarian Dances (numbers 1, 4, and 5), pieces of great character and rhythmic vitality, which offer excellent ground for working on aspects such as gesture, clarity in tempo changes, articulation, and the management of rubato within the romantic language with folkloric roots. These works allow the conductor to face challenges different from those of the traditional symphonic repertoire, bringing variety and stylistic richness to the course.
In addition, Wolfgang Amadeus Mozart’s Clarinet Concerto in A major, K. 622, a masterpiece of the concertante repertoire of the classical period, will be addressed. This concerto will provide the opportunity to delve into the relationship between soloist and orchestra, dynamic balance, transparency of phrasing, and the management of orchestral accompaniments. Its inclusion brings a chamber dimension to the course and completes a stylistic journey ranging from classicism to late romanticism.